Charles Wertheimer, 1888 portrait by John EverettMillais, ©RMN-Grand Palais (musée d’Orsay)/ Martin Beck-CoppolaEugen Gut mann by Franz von Lenbach (1836-1904), Simon Goodman Collection Meanwhile following the success of the Dresdner Bank, atEugen’s art collection had grown considerably: apart from oneseveral important paintings the collection consisted of well inover 500 objets d’art at its peak. Among these were bronzes, anminiatures, gold boxes, renaissance jewelry, crystal, maiolica, Mars illuminated manuscripts, but most of all renaissance silver. celebrato The eminent art historian Otto von Falke would describe the venerableGutmann collection as “..worthy to rank beside the treasure-Thechambers of princes”.legendary “musée Spitzer”.Wertheimerwas offeringof the most stunning Nautilus cups: made in Amsterdam1628.silver-gilt mounts were an extraordinary beautysophistication.The price was fairly steep: 75,000 Reichor around £5000 (at the time).But Eugen was in amood as the Dresdner had just taken over theErlanger & Sons banking house of Frankfurt. As part of the divorce settlement it was decided that Eugen Inwould sell a significant portion of the renaissance silver-gilt Kaiserand objets d’art to his friend and colleague, in New York, Joh nAfterPierpoint Morgan. (In 1905 the Dresdner and J.P.Morgan & Co. would actually enter into an official alliance).The resulting sa leDutchforced Eugen to part with some of his most prized artworks,including several exceptional Nautilus cups. Today three ofthese can be found in the Metropolitan Museum of New Yorkand two in the Wadsworth Atheneum Museum in Hartford,Connecticut.Goering’sartworksCup went back to Berlin with Eugen where it was displayedproudly in a magnificent cabinet, originally from Fontainebleau. 1906 Nautilus a special exhibition in honourWilhelm II. Eugen’s death 1925, the Cup still remained an importantpart of the Gutmann collection, now housed in his son Fritz’sestate.And there it remain until Germaninvasion of the Netherlands in May 1940.Within a monthagents were at Fritz’s door demanding to inspect the“Gutmann Silbersammlung” (silver collection).The first twoacquired for ‘Reichsmarschall’ were famedLencker Ewer (also bought from Charles Wertheimer, and now inand Petzolt double cups (originally fromvon Rothschild, and now Detroit Institute of Arts). Always the consummate collector, Eugen was soon looking Rijksmuseum)for ways to replenish the perceived gaps in his collection. In Carl1903 he was able to secure a strikingly engraved Nautilus fro mthe Seckel family in Frankfurt (this particular cup would laterpass into the Thyssen-Bornemisza collection). Gutmann’sAnd just a yea rlater on a visit to London, ostensibly to check on the Dresdne rbranch in Old Broad St., NazisEugen was pleased to reconnect withCharles Wertheimer, whom he had met ten years earlier in Pa risMeanwhile the Nautilus Cup and other treasures from Eugencollection had been transferred to Gutmannfamily trust, and in order to avoid outright confiscation by theFritz Gutmann assigned all his shares the trusthis (non-Jewish) brother-in-law Senator Luca Orsini-Baroni. Nonetheless, in 1942, the collection was commandeered by 58